Jack fruit
This visual is an anthology of written and visual images. Carnival of these tiny and pretty things may lead the viewer to the children’s funny puzzle or the dexterity of a juggler because, here the work of art is dealt with the puzzle of scattered and juxtaposed ample ocular imageries. It may be a bunch of rose flower, the king and queen, a puppet family, and a spongy doll. This drama or mockery is created by some kind of stuffing sewing and stitching. However, these practices of art have been gendered or identified as feminine or so called craft. These are one of my friends, Mrs. Geetha Anil’s dexterity display .Moreover, she has been designated as a craft teacher and working with a school in India. Over a period of time she was my colleague in the same school. The designation and the remuneration of a craft teacher are somewhat marginal than the other subjects in India. Along with these craft work I have displayed the reproduced version of my grandfather’s personal dairy. My grandfather has written it between 1940 and 1980. Here, the synthesis of verbal and visual text is narrated in the form of puzzle .And, it emerges the constraint terrain of the women in elsewhere. Written texts which is attached along with these works are the documentation about my grandmother and the other female characters revolve around him , such as the working class women who had involved in some kind of events which took place in our house. The works include construction works, midwifery, cooking and other house hold requirements. Instead of the specific name here the female characters address by gender or cast in this dairy .Moreover , compare to the substantial allowance to the male worker the female worker’s daily wages or the substantial allowance documented is partially lower in this dairy . The form of a puzzle suggests the parameter. And, here, the margin of women is limited within the form of a vegetable.